Get ready for the most anticipated music event of the year! The 2026 Grammy nominations are here, and we’ve got the complete list to keep you in the loop. From immersive audio albums to classical compositions, these nominations showcase the diverse and talented artists across the music industry.
But here’s where it gets controversial… or at least, a little bit tricky to understand for those new to the world of Grammys. We’re diving into the categories of engineering, production, and composition, which often fly under the radar but are crucial to the magic of music.
Let’s start with the category of Best Engineered Album, Non-Classical. This award recognizes the engineers and mastering engineers who bring the music to life. For instance, the album ‘All Things Light’ by Cam boasts an impressive team, including engineers Jesse Brock and Jon Castelli, as well as mastering engineer Dale Becker.
Now, for the classical music enthusiasts, we have the category of Best Engineered Album, Classical. Here, we see engineers like Mike Tierney and Alan Silverman shine for their work on ‘Cerrone: Don’t Look Down.’
And this is the part most people miss: the Producer of the Year, Classical category. This award celebrates the producers who bring classical music to the forefront. Blanton Alspaugh, for example, has produced a range of albums, from ‘All Is Miracle’ to ‘Sheehan: Ukrainian War Requiem.’
Moving on to the immersive audio experience, the Best Immersive Audio Album category showcases the talent of engineers and producers who create a 3D sound environment. ‘All American F***boy’ by Duckwrth takes the lead here, with Andrew Law as the immersive mix engineer.
But wait, there’s more! We also have categories for the best instrumental and vocal arrangements. ‘Be Okay’ by Cynthia Erivo and ‘A Child Is Born’ by Remy Le Boeuf are just a couple of the outstanding arrangements nominated.
For the classical music buffs, the Best Classical Instrumental Solo category recognizes the incredible talent of soloists like Curtis Stewart and Han Chen, while the Best Classical Solo Vocal Album category celebrates the powerful voices of Allison Charney and Sidney Outlaw.
And finally, we have the Best Contemporary Classical Composition category, which highlights the innovative and modern compositions of artists like Christopher Cerrone and Donnacha Dennehy.
So, there you have it! A glimpse into the world of Grammy nominations for 2026. These categories might be a little less glamorous than the big-name artist awards, but they’re just as important in celebrating the art and science of music production.
What do you think? Are there any categories or nominations that surprise you? Feel free to share your thoughts and opinions in the comments below! We’d love to hear your take on these often-overlooked but crucial aspects of the music industry.